Creativity Is My Livelihood

New Music 2012 at KANEKO, Omaha Symphony

New Music 2012 at KANEKO, Omaha Symphony

 Adam’s Story

I grew up in the sandhills of Nebraska, surrounded by dairy cows, prairie grass, cowboy bars and fuzzy antenna television.  Imagination and creativity were my playthings by necessity and were encouraged by parents who taught me to be expressive and bold.

My imagination took me away from Nebraska to embark upon a performance career and what I perceived to be “greater things.”   It took coming back home to discover my true passion – to inspire creativity, imagination in others through the arts.  Here, in Nebraska, my imagination and creativity have led me to a livelihood that consists of developing unique experiences that blend the performing and fine arts, academics, and life – creating experiences where both young and old minds can discover new things about their world, themselves, and their own creativity.

 We are a team of creative individuals – musicians, conductors, educators, and administrators – who depend on collaboration to give our collective creativity a voice, and to serve our audiences.

Although an administrator on paper, my role at the Omaha Symphony is a bit of a grab bag: actor, singer, director, playwright, educator, innovator, strategic planner, and collaborator.  The beautiful thing about the work that we do is that there is no “correct” way to do it.  We are a team of creative individuals – musicians, conductors, educators, and administrators – who depend on collaboration to give our collective creativity a voice, and to serve our audiences.

This creativity is witnessed through our work in the community, creating concert structures that provide a space for audiences to access and reflect upon the music.   Sometimes, it can be as simple as taking the musicians out of the concert hall and making music in new settings. Other times it can be as complicated as bringing the community onstage to perform as musicians themselves.

In every experience that I develop with the symphony, creativity is paramount.  I believe that music is inherently able to transcend cultural and social barriers, to inspire connections and understanding, yet I find that in our busy world it takes new structures and new methods of delivery to get people to actually stop and listen, to open themselves up to the experience.  Once they do, their own sparks of creativity will do the rest.

About Adam

T. Adam Goos, 2014 Mission Imagination, Photo by Adam Zavitz

T. Adam Goos, 2014 Mission Imagination, Photo by Adam Zavitz

T. Adam Goos is the Vice President of Education and Community Engagement at the Omaha Symphony, where he develops original concert experiences for students and community members. Annually, the Omaha Symphony’s education and engagement programs serve nearly 30,000 individuals, through school concerts and community experiences that provide opportunities to perform with the symphony. Goos developed the symphony’s new All Aboard! program, that  partners with communities across Nebraska to design and implement customized residencies and concert experiences.  Adam holds a Masters of Fine Arts in theatre performance from Roosevelt University and degrees in music and theatre from Wayne State College.

 

 

 

Bridging Cultures Is My Livelihood

Sovereign Youth Leadership camp

Sovereign Youth Leadership camp

Nancy’s story:
“You will wear two dresses” my great-grandmother told me, referring to my mixed heritage of Cherokee/Choctaw/Scots Irish and the challenges to be faced.

But, thankfully from an early age I had a great-grandmother who taught me about tribal traditions, and a grandfather who wanted me assured of a western education and willing to indulge me with trips to natural history museums, art galleries, historical sites; anywhere to feed my insatiable curiosity about the world both “out there now” and “long ago,” which led eventually to a career teaching college level history, anthropology, and sociology.

Nancy at Genoa 2014

Nancy – “Wearing Two Dresses”

Teaching was the obvious choice for such broad interests but two remarkable opportunities arose here in Nebraska melding avocations and vocation. In 1987 beginning work with a church on the Winnebago Reservation propelled me into public speaking across the country on its behalf seeking potential supporters; then in 1997 being hired by the Neihardt State Historic Site creating educational programming on Neihardt and related topics. Neihardt’s literary and journalistic career and his inextricable link to Native Americans (think Black Elk Speaks) broadened the topics covered both in what was offered on site and what could be taken out to schools and other groups across the state.

For a mixed blood Native woman, these presentations expanded finding a perfect niche market. Using my own life experiences (i.e. being told in 3rd grade “You can’t be Indian, there are no Indians left” when I went home to a whole household of them) combined with what I taught in the classroom, was an excellent way to bridge gaps between cultures. Putting it bluntly, utilizing the combination of my European coloring and Native upbringing made me the “safe” Native person to answer potentially uncomfortable questions from non-Natives and allow for opening dialogue using factual information, informal manner, and often humor. And it works; for adults and school children alike, and hopefully leaves a lasting impression and appreciation for our shared history.

So, my great-grandmother would not be surprised at all to see me in a variety of settings wearing either a business suit or regalia – wearing two dresses.

About Nancy:
Nancy Gillis is the former Director of the Neihardt Historic Site, retiring in 2014; teachingNancy 2008 at Wayne State College, NECC, N.I.C.C. and Little Priest Colleges in Native American, U.S. and World History, Sociology, and Cultural Anthropology.

Gillis served the Nebraska Historic Preservation Office and NE Folk Life Network; NE Arts Council Multi-Cultural Grant panel; reviewer for Nebraska History Magazine; trained museum docents; coordinated writers’ workshops for Native youth; consulted for a 3-year Teaching American History grant; and as counselor for the 2014 Sovereign Youth Leadership camp. She is the 2014 Addison Sheldon Honoree for “service to the history of Nebraska” and for Humanities Nebraska she presents a variety of programs on both Native Americans and Neihardt.

To read more about Nancy’s speaking topics http://humanitiesnebraska.org/speakers/speakers-index